Early, Gerald. One Nation Under a Groove: Motown and American Culture. New
Jersey: Ecco Press, 1995.
Edmonds, Ben. What’s Going On? Marvin Gaye and the Last Days of the
Motown Sound. United Kingdom: Canongate, 2001.
Ellison, Mary. Lyrical Protest: Black Music’s Struggle Against Discrimination. New
York: Praeger, 1989.
Ferri, Domenico R. “Funk My Soul: The Assassination of Dr. Martin Luther King
Jr. and the Birth of the Funk Culture.” PhD diss., Loyala University,
Chicago, 2013. Accessed October 18, 2018. https://search-proquest-
com.steenproxy.sfasu.edu/dissertations.
Fink, Robert. “Goal-Directed Soul? Analyzing Rhythmic Teleology in African
American Popular Music.” Journal of the American Musicological Society
64, no. 1 (Spring, 2011): 179-238. Accessed September 17, 2017.
http://www.jstor.org.steenproxy.sfasu.edu: 2048.
Fitzgerald, Jon. “Black Pop Songwriting 1963-1966: An Analysis of U.S. Top
Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-
Holland.” Black Music Research Journal 27, no. 2 (2007): 97-
140. Accessed January 25, 2019. www.jstor.org/stable/25433786.
Floyd, Samuel A., Jr. The Power of Black Music: Interpreting its History from
Africa to the United States. New York: Oxford University Press, 1995.
Gartner, Scott Sigmund and Gary M. Segura. “Race, Casualties, and Opinion in
the Vietnam War.” The Journal of Politics 62, no. 1 (2000): 115-146.
Accessed February 18, 2019. www.jstor.org/steenproxy/stable/2647600.
Goldmark, Daniel, Charles Hiroshi Garrett, and David Andrew Ake. Jazz/Not
Jazz: The Music and Its Boundaries. Berkley: University of California
Press, 2012.
Guralnick, Peter. Sweet Soul Music: Rhythm and Blues and the Southern Dream
of Freedom. New York: Harper & Row, 1986.
Haralambos, Michael. Soul Music: The Birth of a Sound in Black America. New
York: Da Capo Press, 1985.