Key Concept 1.1 — The rediscovery of works from ancient Greece and
Rome and observation of the natural world changed many Europeans’ view of
their world.
I. A revival of classical texts led to new methods of scholarship and new values in
both society and religion.
A. Italian Renaissance humanists, including Petrarch, promoted a revival in
classical literature and created new philological approaches to ancient
texts. Some Renaissance humanists furthered the values of secularism
and individualism.
B. Humanist revival of Greek and Roman texts, spread by the printing press,
challenged the institutional power of universities and the Catholic Church. This
shifted education away from a primary focus on theological writings toward
classical texts and new methods of scientic inquiry.
C. Admiration for Greek and Roman political institutions supported a revival of
civic humanist culture in the Italian city-states and produced secular models for
individual and political behavior.
II. The invention of printing promoted the dissemination of new ideas.
A. The invention of the printing press in the 1450s helped spread the Renaissance
beyond Italy and encouraged the growth of vernacular literature, which would
eventually contribute to the development of national cultures.
B. Protestant reformers used the printing press to disseminate their ideas, which
spurred religious reform and helped it to become widely established.
III. The visual arts incorporated the new ideas of the Renaissance and were used to
promote personal, political, and religious goals.
A. In the Italian Renaissance, rulers and popes concerned with enhancing their
prestige commissioned paintings and architectural works based on classical
styles, the developing “naturalism” in the artistic world, and often the newly
invented technique of geometric perspective.
B. The Northern Renaissance retained a more religious focus, which resulted in
more human-centered naturalism that considered individuals and everyday life
appropriate objects of artistic representation.
C. Mannerist and Baroque artists employed distortion, drama, and illusion in their
work. Monarchies, city-states, and the church commissioned these works as a
means of promoting their own stature and power.
IV. New ideas in science based on observation, experimentation, and mathematics
challenged classical views of the cosmos, nature, and the human body, although
existing traditions of knowledge and the universe continued.
A. New ideas and methods in astronomy led individuals including Copernicus,
Galileo, and Newton to question the authority of the ancients and traditional
knowledge and to develop a heliocentric view of the cosmos.
B. Anatomical and medical discoveries by physicians, including William Harvey,
presented the body as an integrated system, challenging the traditional humoral
theory of the body and of disease espoused by Galen.
C. Francis Bacon and René Descartes dened inductive and deductive reasoning
and promoted experimentation and the use of mathematics, which would
ultimately shape the scientic method.
D. Alchemy and astrology continued to appeal to elites and some natural
philosophers, in part because they shared with the new science the notion of a
predictable and knowable universe. At the same time, many people continued to
believe that the cosmos was governed by spiritual forces.
© 2019 College BoardAP European History Concept Outline
Period 1: c. 1450–c. 1648
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